Test: The RJ45-DB9 Connector

Once you have successfully soldered your wires, and snapped the DB9 end onto the rest of the connector, test it. Incorrect wiring, or a short, can damage the hardware that you are using. You can test your connector with a multimeter. To make the testing easier, use an unconnected male DB9 end, that has metal tabs on the end for soldering. Plug the male end into the connector, leaving DB9 male soldering ends exposed. With the multimeter, set it to test for connectivity. If there is no connectivity setting, set the multimeter to test for resistance. Clearly, if you have a good connection, the multimeter will either beep (if you have a connectivity mode with beeper) or read zero (if you use the resistance mode).




Even with the solder male DB9 end, testing the device with the two probes can be challenge. You have to reference the chart on Ossmann's website, and make sure you stick the probes on the correct respective RJ45 and DB9 ends. That can be especially challenging, since DB9 end may not be numbered, and the RJ45 is most likely not numbered.

Start with the easy ends, like DB9 pin 1 to RJ45 pin 8. They are the first (and last) pins respectively. If you find the connection, you can then easily find the pin ordering, and test from there. The hardest part is keeping your hand still over the correct RJ45 pin, as test each connection one by one. Test both ends, by holding one probe over one pin, and making sure that only the correct pins on the other side connect.




Since the RJ45 side can be hard to test for rapidly, you might crimp another RJ45 plug, and leave the other end of wire uncrimped. Strip each skinny copper wire until there is enough exposed copper to allow simple contact with the probe.

Fortunately, this connector tested well, is ready to move onto a real hardware test.

Read: Harry Potter and the Chamber of Secrets (up to Chapter 8)

Harry and Ron are in deep trouble. After using Ron's father's flying car to fly to school, both get detention, and Ron gets a screaming letter from his mother. Harry's detention is to help Gilderoy Lockhart answer his fan mail.

Lockhart is an annoyingly self-obsessed professor, who has captured the hearts of a very large segment of the magic population. He is the author of many popular magic books and receives a lot of press. His intense superficial charm is balanced by his arrogance towards the people with whom he interacts directly. His professorship replaces that of Quirinus Quirrell, last seen in the previous book. Quirrel was possesed by Voldemort, and was thus the antagonist. Harry defeats Voldemort (sort of, read the first book to find out how), which causes Quirrel to die.

Later, Harry, Ron, and their overachieving friend Hermione go to the party of a dead person. Apparently, even the dead have parties, social cliques, popularity contests, and other tiresome attributes of life. The party turns out to be a bust, when crashed by a hunting party, who rubbed in their rejection of the host as being worthy of joining their party.

So it goes. The important theme by now is that Harry hears disturbing whispers that eventually lead him and his friends to the scene of one of the faculty's murdered cat. At the same time, they see words on the wall that warn the "enemies of the heir" [because] "The Chamber of Secrets has been opened" (pg 138). I am about half-way through the book, and aside from the bedroom elf scene, nothing in the story arc has gone beyond the minor scrapes that Harry and company get into. I'm expecting an acceleration in the timeline, since I'm half-way through, and the book says that is around Halloween, with November through May to still get through.

Thankfully, the book is a fast read, having spent maybe two hours to get this far into it.

Read: Harry Potter and the Chamber of Secrets (up to Chapter 5)

To prevent burn-out from reading, by reading too many similarly-themed books, one should read a diversity of books of at least two genres/fields. Since the last book I read was a history/military/aviation book, the next book should be at least not one of those topics. Harry Potter is none of those things, clearly.

I will not bounce back and forth between history books and fantasy, as there are science and science-fiction books to read, as well as monetary policy and classical literature. Being specialized, to a large extent, is very important in one's career or business focus, but being open to other specialties in one's non-profitable time is quite all right. Unless, of course, you are trying to make your otherwise non-profitable time profitable.

Harry Potter is the story of a boy whose parents were killed by Lord Voldemort. Voldemort is held in such fear by the wizards and witches of the magical world that they are afraid to speak his name. In fact, it is sociological traits like these that make these wizards and witches very much like the muggles (who are people who can't do magic), of whom they look down upon. The magic world has shopping, a bank, a school, government, bureaucracies, fads, cultures, and trends. It is more like an English-speaking foreign country with British qualities (to this American), but with magic that the muggle-populated Britain does not otherwise use or its people posses.

Orphaned after his parents' death, Harry is dropped off at his relatives' house. His aunt and uncle treat Harry with such contempt, fear, anger, and hate, that it is a wonder that the British version of Child Protective Services didn't take Harry away into foster care. It is this part of story that reminds me of a lot of English stories about people growing up. One might think that nobody in England had a happy childhood, especially if they were the main character. Everyone grew up, surrounded by nasty, evil parents, step-parents, relatives, neighbors, teachers, and so on, except for the shining heroic adults who come and save the kid's life, and the kid goes on to have a wonderfully sublime adventure with new, awesome friends. That sounds better than the foster system anyway.

Harry's escape comes courtesy of the aggressive methods that his assigned school, Hogwarts, uses to get Harry to come to school. Hogwarts is not an ordinary school, because it is located far into the countryside, accessible largely by train, and teaches magic. It is like a boarding school, because the students all live there, except for the summer and winter breaks. The description of Hogwarts is lush, with talking paintings, banquets, new and strange ceremonies, and a sport that is like polo, only on flying broomsticks. Other than all that, it is ordinary in that there are classes, labs, exams, and books.

The first book was about Harry's first year, and the plot slowly unravels to expose the problem. Were it not for the plot line about the Sorcerer's Stone (or Philosopher's Stone in the UK version) attempted theft by one of the teachers, the book would be a slice-of-life story. Thankfully, the thrilling plot balances the details of day-to-day at Hogwarts.

In the second book, Harry's civilian muggle life has improved. His rotten family promoted him from sleeping underneath the stairs to having a real bedroom, but conditions deteriorate to the point where he is essentially kidnapped-in-place by his family. Conditions become weird when a house elf displays masochistic tendencies while warning Harry to not go to Hogwarts when school begins.

Eventually, one of Harry's friends from last year, Ron, comes by with a flying Ford Anglia, piloted by his friend's brothers. They rescue him, and take him to live with Ron's family. Harry gets a feel for a relatively normal, wholesome family before school begins, and Harry, Ron, and most of Ron's siblings leave.

Things go awry when Harry and Ron are unable to enter platform 9 3/4 at King's Cross Station, and try to fly the car to school. They crash spectacularly, and the car flies off in a huff. Otherwise inanimate objects tend to have emotions in the magic world. After causing damage to a violent, but important and cherished tree, Ron and Harry are given detention. That's where I've reached so far.

The world that author J.K. Rowling has created is exquisite. There appears to be no aspect of magic life that is not accounted for and "translated" from the things and institutions that muggles use. Clearly, there is a lot more to these books than what I've written, including the mild soap opera rivalry that the school has ongoing, the amoral instructors, vicious, petty students, nervous overachievers, and the bonanza of odd things to buy on Diagon Alley.

Play: Final Fantasy X

Final Fantasy is a long-running video game series created by Hironobu Sakaguchi of Japan. The game started at I in 1987 and is currently at XII, released in 2006. Final Fantasy (FF) XIII will be released sometime in 2008 or 2009. There are several spin-offs and re-makes for newer consoles. I will talk about one of the popular titles in the series, Final Fantasy X.

The gameplay itself is like that of a very long interactive movie. Beginning in the mid-to-late 1990s, game makers began adding cinematic animations at key points in the storyline, and this trend has evolved ever since. Whether or not you like that depends on your view of gaming.

Very few of the FF titles relate to one another, so each story is different. You can pick up any random title in the series, and not miss a thing, with few exceptions. I will focus on the story, the mechanics of play, and discussion of likes and dislikes.

The story here is that of a young man, Tidus, who is a star at a sport that looks like underwater soccer or volleyball. During a game, a thing that looks a big floating ball of water, named Sin, causes havoc over his city, resulting in much destruction. Tidus finds an old friend of his, and together they fight their way to the first of many bosses. Eventually, the two are sent off to a different place where nobody has heard of the town that Tidus is from. This new place has a unique history, several cultures, a religion, and traditions that Tidus has no knowledge of.

Very soon, he joins a band of guardians whose goal is to protect a Summoner named Yuna, who is about Tidus's age. If video game characters could be said to have chemistry, however awkward and forced, these two have it. After the group sets off, the story really takes it time as you wander from temple to temple, fight bosses, play the underwater soccer sport, and watch several parts of the FF movie.

The story surprised me because I've never played a game before where theological discussions took place. One character is from a culture who are firm atheists, who are collectively persona non grata pretty much everywhere else in this culture. The established religion is revealed to be full of corrupt, power-hungry individuals who seek to destroy Sin for their own motives. When this is revealed, the true believers among the guardians have a kind of psychological breakdown.

At one point in the story, one of the guardians, Kimhari, seeks to restore his honor with his tribe. After doing so, the guardians encounter one of the priests from the religion. This priest, Seymour, has been harassing the group since mid-game, and tried to kill most of them off more than once, and even tried to forcibly marry Yuna. This game villain is surprisingly well developed, with means, motive, and several opportunities to do his bidding. At this stage, Seymour says, in no uncertain terms, that he just killed every single member of Kimhari's tribe, and Kimhari is the only one left.

I am currently in a face-off against this guy, which is where I will discuss the game play mechanics. All fighting is done turn-based. Essentially, your team lines up on one side, the enemies on the other, and you take shots at each other. Last one standing wins. The game automatically sorts out who shoots when, and the player can control the nature of each attack, and against which enemy. For the first half of the game, I was just pressing the X button on my keypad, because most of the enemies were simple to defeat. After 20 saved hours of game play, though, the enemies become more difficult, requiring the switching of fighting guardians. Only 3 can fight at a time, but if all 3 die, the game is over.

If you win, you are payed Gil, which is the local currency, and pick up any number of equipment, power spheres, and AP points. There is a complicated method through which you gain more health, more techniques, more defense capabilities, involving the spheres, the AP points, and a maze-like "sphere grid". Without going into detail, suffice to say, it is to your advantage to wander the sphere grid, picking up more health, etc.

This where the game suffers. Everything is very complicated. Eventually, you have to assess each battle as if it were unique, get your 3 fighters together, and battle your enemies as if you were playing chess. All the techniques that a character can possess has a different effect on each enemy, and is under the influence of the character's spells (cast against them or the enemy). You usually fight enough of the same bad guy that you start to know who you should pit them against, and the game does give advice, saying that this or that particular enemy does not respond well to magic spells, to stabbing weapons, etc. Given sufficient time, you can figure out how to defeat an enemy, but that may take several hours of counter-intuitive backtracking.

Add to this the fact that you if advance through a field of bad guys faster than you're supposed to, and are not advanced enough to fight the boss, you will lose almost every time. After five losses in a row, go back and "level up". Fight the same underling enemies over and over again until you get enough AP points to advance on the sphere grid. By the 30th saved hour, I had to level up increasingly often. I'm up to the 36th hour right now.

And further more, when you lose, you resume wherever you last saved. This itself is not so bad. Having to sit through the same mostly non-skippable dialogs the characters go through is. I found myself leaving the room for a few minutes, while the same movie I've seen ten times before plays.

To hasten my adventure, I had to resort to a walkthrough. Walkthroughs can advance a player quickly, at the expense of removing whatever is left of the game play. I use them minimally, as in one sentence at a time. I like to be challenged, to keep my brain functioning, but not at the cost of spending several hours going nowhere.

On the bright side, the complexity of the game story is deeper than that of most movies or TV shows. Characters grow, mature, get lost, and die (several dozen times). The music is also great, and changes from level to level. I put video gaming, at this caliber, above watching movies or TV. Seen in this light, the mind-numbing variety of attacks that the characters can perform is a challenge to the player to figure out how to win. Ideally, one spends an hour or two everyday on this, enthusiastically, and can defeat the game in about a month or two. I spend an hour or two every week, so I've been playing this game for almost a year-and-a-half. With that kind of timescale, use a walkthrough, and move on with your life.

Build: The Right Thigh of the Mjolnir

Many people start their first costume with thicker paper, like cardstock. My printer is bottom-fed, which means that it cannot take very thick paper. Also, since I have the tools and experience for cutting cardboard, I thought it made sense to do that.

Assuming that you've followed the instructions on the Pepakura tutorial on the 405th website, you should have many sheets paper with numbered components. Be sure to visit the sizing tutorial, to make sure that your armor fits. The sizing takes into account height, not weight, so if you're quite large, you may to do trial-and-error on the pieces that you think might not fit. Pepakura is recommended for beginners, so if you make a mistake, you can always go back and try again.

I've started off simple, with the right thigh. Each piece of armor can be downloaded from the 405th website, so you can build the armor one piece at a time. The thigh seemed like an easy start, and by and large it was.

If you've never built a model or been to architecture school, take note that you need to be as precise as possible. Only after years and a dozen models should you trust yourself to gauge what is "good enough". Being a little bit off, even by 1/32 of an inch, can compromise overall integrity, fit, and appearance. Despite my experience and attempts, even this first attempt at the thigh has resulted in a few seams not fitting together quite right. I had to compromise where one piece would fit with all the others.

Hopefully, with enough fiberglassing, the gaps will smooth out. I've never fiberglasses before, so I don't know how that will go. What follows are pictures of what of the thigh that I have completed. It's not done yet, and the missing pieces are obvious.

Make: An RJ45-DB25 Serial Connection

The next device that I will make is an RJ45-DB25 serial connection. To the best of my knowledge, DB25 ports can be built to accommodate three types of connections - serial, SCSI (pronounced "scuzzy"), and parallel printer ports for IBM-compatible PCs. The differences are in which pin is a given signal or voltage sent or received. The number of pins vary, as well.

The website Nullmodem.com has a page that lists the pin configurations for all three DB25 connections. Ossmann's instructions for the 5-in-1 cable also includes how to build an RJ45-DB25 serial plug. Scroll down to 'Extras'.

Comparing Ossmann's connection diagram to the one shown on Nullmodem, I see one DB25 pin missing from Ossmann's diagram. That is pin 22, Ring Indicator. The Ring Indicator is, according to Lammertbies.nl, "used by modems to signal an incoming call to the attached computer". Maybe this signal is not necessary nor used if one is in a situation where an RJ45-DB25 connector is useful?

In any case, when it comes to the other DB25 connections, SCSI and parallel printer, neither can pin out to RJ45 easily, if at all. Both use more than 8 pins to communicate.

Read: A History of Military Aviation in San Antonio (up to finish)

I finished this book tonight, and it has left a profound appreciation for the early growth of aviation, military and otherwise, in the years following the Wright Brothers' flight. The final synopsis, from my notes, follows:

Randolph took on Vietnamese and Latin-American students after 1963. These students were trained on the T-28 (undergraduate pilot), the C-47 (transition course), initially, though more planes and courses were added in later years.

The first college degrees granted by the US Military were Associates in Applied Science, from the Community College of the Air Force (CCAF). The CCAF was established at Randolph in 1972. Air Training Command began granting degrees to those that finished a CCAF program, in 1977. However, that same year, the CCAF moved to Lackland, and then Maxwell AFB in Montgomery, Alabama, in 1979.

Randolph's initiatives have largely focused on training. Even after busy periods, such as World War II and the Vietnam War, it kept training pilots as similar initiatives at Kelly and Brooks wound down. The pattern of each base having a respective focus is clear.

Lackland had a late start, compared to other bases. It was partitioned from Kelly Field in 1942, and had trouble with its identity until the War Department named the base Lackland, in 1947. Its early history traces with the growth in air training, following Pearl Harbor.

After the war, Lackland became the center of the USAF's indoctrination of basic trainees. You or I would call this Basic (Training) nowadays. With few historical exceptions, all enlisted Air Force personnel have gone through Lackland, since 1946.

Very large increases in Airmen training, at the start of the Korean War, meant that many recruits occupied tents instead of buildings. The situation was similar, though less dramatic, in the mid-1960s, during the Vietnam War.

The section on Lackland is very short, as it lacks the early frontier history of aviation, as well as a runway!

That wraps up the book, up to 117 pages including a Gazetteer and Illustrations List.

Who is this book for? Anyone interested in three out of the four nouns in the book's title: History, Military, and Aviation. San Antonio does not play a strong role, and while the growth of the Air Force in San Antonio from 1910 through 1946 is a part of the city's history, the growth is almost independent of circumstances in San Antonio.

Who is this book not for? Anyone who likes their history with a heavier emphasis on the personalities, the machinery, or with a critical examination. The individually- driven history really fades by World War II, and the history of the airplanes really peaks from the 1930s through the 1950s, in the context of the book. After the 1950s, the book focuses more on the growth and challenges of the bases, as organized, complex defense assets. The drama of the Cold War is missing, though the 1970s and 1980s were by and large a quiet time for San Antonio-area bases. Finally, this book does not have a critical look-back at decisions made. Maybe because unless a decision had widespread negative consequences of an immediate nature, there was no turning back.

Maybe the history of railroads is similar, in that sense. After the burst of construction, the wild personalities of the Robber-Barons, and the transcontinental railroad, there is much less drama to write about. After railroads, airplanes. After airplanes, the space program. After Skylab, the Apples, Microsofts, and the popularization of the Internet. What was new is now de facto, and the excitement and drama moves elsewhere.